Alv
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马蒂亚斯·皮涅罗
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Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.
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Luis Estrada
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Once upon a time, Juan Pérez, the poorest of the poor, reaches fame in a fluke accident in what seemed to be an attempt of suicide, to protest against the government and his social condition. The Ministry of Economy, surrounded by the scandal in which he is blamed by Pérez's decision, decides to reward him changing his life giving him a little house, a car and a job. But when other poor people (Pérez's close friends) find out about his reversal of fortune, decide to imitate him faking suicide attempts in different buildings in Mexico City. The Ministry of Economy, terrified by the glance of having a plague of beggars, decides to declare poverty a crime and hence finish for once and for all with all the poor in the country. Pérez ends up behind bars. Three years later, Pérez is released and goes back to his previous social condition, but this time, aware of having one day as a rich man is better than a life as poor, he will do anything to get out of his misery... And he will manage to do so!
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Salvador García Ruiz
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荷西(阿德丽安娜·尤加特 Adriana Ugarte 饰)是一位在艺术大学就读的女生,一直爱慕着名为马克(尼洛·穆 Nilo Mur 饰)的同学。某日,马克邀请荷西来他的宿舍玩,孤男寡女共处一室,很快,心照不宣的两人便开始宽衣解带,在这个节骨眼上,马克的室友杰米(比尔·度伦 Biel Durán 饰)意外现身,虽然出现的时机不妥,但来的都是客,荷西和马克热情的邀请杰米加入他们的“游戏”之中。 就这样,这一女两男之间开始了他们扭曲的关系。随着时间的推移,荷西开始怀疑,当初杰米的出现并非意外,而是杰米和马克一次筹划的一个阴谋。不仅如此,马克的种种举动亦开始让杰西怀疑起他的性取向来。
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Calvin Morie McCarthy
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After discovering his blood-soaked daughter dead in the bathtub, David Bryson attends a self-help group to help save him from his ghostly nightmares. But when a group of mysterious cult-like women offer to help him resurrect his daughter. David's choices will not just decide his fate... but the fate of his dead daughter's SOUL.
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Joaquin Montalvan
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In a decaying America, 20 years after an apocalyptic event, Pike leads Ruby, Slim, Scar, and Boots through the wasteland towards the town of Jawbone in hopes of finding shelter, and to confront the evil Magistrate. But will they make it to Jawbone? And what will they find when they get there?
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Calvin Morie McCarthy,Tim Coyle,Josh Dietrich,Kai Pacifico Eng,Chynna Rae Shurts
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For her first day of orientation, Dr. Tristi看456an Mackenzie makes her way to the S贺军翔电影ilverdale Psychiatric Hospital for the criminally insane, where she learns of the strang少儿不宜的电影e series of cases from the similarly strange Dr. Moon.
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皮埃尔·保罗·帕索里尼
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故事讲述天真的穷小子阿拉丁(尼纳托·达沃力 Ninetto Davoli饰)爱上了一个女奴苏玛洛(伊娜丝·佩莱格里尼 Ines Pellegrini饰),成为她挑选的新主人。苏玛洛带他初尝性爱的快乐,并给他讲书上描述的各种情色故事。不久嫉妒的奴隶主抢走了苏玛洛,阿拉丁四处寻找着她,并在路上听到了旅行者们向他讲述的各自或悲情或浪漫的爱情故事。 由“后达科塔 高尤新现实主义时代”导演皮埃尔·保罗·帕索里尼执导的影片《一千零一夜》是帕索里尼“生命三部曲”的最后一部,前两部为《十日谈》和《坎特伯雷故事》。影片以正面肯定的方式对性爱民俗和同性恋加以描述,把阿拉伯民间故事集《一千零一夜》古老而传奇的故事搬上银幕。本片荣获1974年第27届戛纳电影节主竞赛单元-评审团大奖,并入围1974年第27届戛纳电影节主竞赛单元-金棕榈奖。
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费尔南多·梅里尔斯
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y80 聚焦里约热内卢贫民区的残酷故事,“魔鬼也会叹息着转身的地方”。这部新的剧集继续由电影版导演费尔南多·梅里尔斯打造,他透露:电影讲的是当地社区的缺陷,剧版则将讲述这些社区的力量。
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阿扎泽·雅各布斯
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编剧兼导演阿扎泽·雅各布斯(《法式出口》、《那些爱人》)执导了这部苦乐参半且趣味横生的故事,讲述了一位年迈的家长和三个成年女儿在他生命的最后几天陪伴在他身边的故事。凯蒂(凯莉·库恩饰)是一位控制欲极强的布鲁克林母亲,每日忙于应对处于青春期的叛逆女儿;自由奔文姝月君尧小说免费阅读放的克里斯蒂娜(伊丽莎白·奥尔森饰)是一位与众不同的母亲,这是她首次与孩子分开;瑞秋(娜塔莎·雷昂饰)是一名体育博彩瘾君子,从未离开过父亲的公寓 — 这令她同父异母的姐姐们非常恼火,因为她们有着不同的母亲和世界观。在三姐妹的日常相处中,雅各布斯继续敏锐地探索亲密空间中的家庭动态,在三天动荡的日子里,在死亡阴影下,怨恨爆发,爱从支离破碎的家庭中渗透出来。